Annie Clark, better known by her stage name, St. Vincent, gives the listener a tour through her personal musical history. She talks about the music that raised and influenced her from age two (Ritchie Valens) through high school (Sonic Youth, Solex, Fiona Apple, Big Black). She also made a mix tape for the Organist featuring some of her current favorites:
And here’s a video from St. Vincent’s new self-titled album:
A day on the streets of New York with the singular Alabama musician and artist Lonnie Holley. Holley always sang while making his junkyard assemblages out of objects including pick-axes and buckets, but it wasn’t until the age of sixty-two that he began releasing records and performing live, both of which caught the attention of a younger generation of musicians (Animal Collective, Deerhunter, Dirty Projectors, Black Keys) who have since become his collaborators.
This episode also features a world-premiere of Apologies, a very short radio play written by Carrie Brownstein (Sleater-Kinney, Wild Flag) and Fred Armisen (Saturday Night Live), who together make the sketch-comedy show Portlandia on IFC. The play was performed by Tig Notaro (This American Life, The Sarah Silverman Program) and Kevin Corrigan (The Departed, Pineapple Express, Buffalo 66).
Clyde Casey was a street performer in the 1980s who would often perform in the parking lot of L.A.’s Wallenboyd, the experimental theater space where John Cusak, Tim Robbins, and many others got their start. One night the theater’s security guard didn’t show up, so they asked Casey if he could keep an eye on their patrons’ cars before and during the plays. He agreed, but only if he could stay in character—festooned with toys and musical instruments and homemade chrome-painted sculpture, he metamorphosed himself into a surrealist crime fighter, keeping Skid Row safe using only the powers of art: that night, Clyde Casey became The Avant Guardian.
But this is only where Casey’s story begins: he soon commandeered an abandoned gas station across the street from the Wallenboyd and converted it into a remarkable unprecedented (and unrepeated) project called Another Planet, a place beloved and fondly remembered by the hundreds of homeless men and women who frequented it, along with high-ranking city officials, movie stars, and artists.
For over twenty years, no one in L.A. knew what happened to Casey. Producer David Weinberg finally tracked him down, and the Organist is thrilled to present his incredible story on our season-two premiere.
This story is a collaboration between the Organist and Love + Radio from Radiotopia. It was produced by David Weinberg, Nick van der Kolk, and Brendan Baker, with special thanks to Tina Antolini and Austin Hines. The Organist is produced by Andrew Leland, Ross Simonini, and Jenna Weiss-Berman. Thanks to Shelby El-Otmani, Gary Scott, Jenny Radelet, Mario Diaz, and the staff of the Believer and McSweeney’s. Daniel Handler wrote the thing at the top of the show about the acorn.
This whole episode (our season one finale) is a conversation between Lena Dunham and Judy Blume, in Blume’s Manhattan apartment.
Also: We asked Lena Dunham to help us score the interview, and we made this mixtape of the songs she suggested. The mix complies songs Lena thinks go well with the interview, as well as music she’s currently listening to.
Lars Iyer on the intersection of philosophy, literature, and the internet;
Excerpts from an instructional cassette tape that accompanied all medical marijuana prescriptions during the five-month legalization of medical marijuana in the fictional province of Maniscotia in 1978. Courtesy of Sunset Television.
Son of Rex, a tiny radio drama written by Nick Antosca and performed by Edgar Oliver;
Hua Hsu on an ancient unsolved mystery of hiphop sampling;
Sam McPheeters on shoplifting hardcore punk 7-inches in 80s Manhattan;
French percussionist David Langlois on how his career began with the theft of his grandmother’s fondue pot;
Dawn of Midi on what live music can learn from computers;
Max Tundra’s 10 favorite five-second recordings;
maybe a tiny bit MORE
The David Langlois piece was produced by David Schulman. The episode was produced by Jenna Weiss-Berman, Ross Simonini, and Whitney Jones, and engineered at KCRW by Ray Guarna. Special thanks to Shelby El-Otmani and John Bosson.
James Franco performing a new original radio drama by the playwright Will Eno
Jonathan Coulton on the strange (and infuriating) intersection of Sir Mix-a-Lot,U.S. copyright law, and Glee
Tao Lin on speaking very slowly
Kitty and Kool A.D. rapping Tao Lin’s fiction as quickly as possible
the artist Nick Cave on his horsey sound installations in Grand Central Station
Isis Aquarian on documenting her years living with two hundred other members of the Source Family cult in a mansion in L.A.
Julian Koster of the Music Tapes on his touring sideshow, The Traveling Imaginary
A tiny bit more!
Jonathan Coulton’s story was produced by Andrea Silenzi of the FMA. Christian Lorentzen appears in the Tao Lin piece. Nick Cave’s story was reported by Anna Altman. Isis Aquarian was interviewed by Patrick James.
Listen to a mixtape of songs chosen by Kitty to score this month’s episode.